old work that informs the new work…
a rosey thing, 2’ x 4”, paper, cotton thread, beet juice, beer, bleach, sugar wax, tattoo ink
tributary, 4’ x 6”, paper, cotton (thread, chamomile, eucalyptus, iron mordant, propolis)
the living, 3.5’ x 1.5’, muslin, hibiscus dye, iron mordant, blood
first spells, 10 x 4 x 3” & 10 x 3 x 1”, pomegranate, apple, cotton thread, mint, sage, creosote, dirt, beer, ritual
1. parallel card, 3’ x 2’ , muslin, cotton thread, hibiscus dye, beet juice, iron mordant, blood
grief effigy, 3 x 28 ", muslin, blood, hibiscus, cotton thread, black tape
bath, 2 x 2.5' , muslin, cotton thread, hibiscus, iron mordant, blood
two lines to get from home, 2 x 2', muslin, hibiscus, iron mordant, blood, cotton thread, black tape
wanting, 5 x 36", paper, cotton thread, bleach, butter
isn’t arc, 7 x 4 x 2.5 “ , ceramic
the hide, 3.5' x 1.5' (2" depth), muslin, avocado dye, iron, alum, wood
inkjet|prints acrylic|medium bleached|muslin india|ink beet|dye coffee human|hair garlic|husks cotton|thread &|pommegranate
when the babies were naked and the parents were tired
8.5 x 9 "
dream out
4x4" ea
dream out [ detail ]
being held by mom
9 x 6 "
sight
8.5 x 7 "
sight [ detail ]
had | have | give
14 x 7 "
had | have | give | part of [ detail ]
had | have | give | part of [ detail ]
drape wedding space (discovery of ritual)
8 x 6 "
drape wedding space (discovery of ritual) [ detail ]
being held by dad
10 x 7 "
being held by dad [ detail ]
holding hope for the first time
19 x 10 "
holding hope for the first time [ detail ]
so she made me (gemini)
14 x 16 "
so she made me (gemini)
[ detail ]
so she made me (gemini) [ detail ]
power and touch | a way you can love me
20 x 4 "
power and touch | a way you can love me [ detail ]
joy being joy | my mother [ detail ]
joy being joy | my mother
4 x 11"
spell
spell
video installation for Renrun - collaborative performance duo with Rachel Brotman, premiered at Brackish, March 2017
video commissioned by Natura Morta, for the album Nebula
video loop for collaborative performance with Rachel Brotman at Not Art Presents (December 2016), featuring rehearsal footage for Laurel Atwell's "Tight&Allure", gold costume and multiple locations contributed by Domestic Performance Agency
Rallidae, Now I Walk In Beauty
created for "Connections" Sept 2015, a collaborative installation at MoMA PS1 Print Shop
choreographed by Laurel Atwell
featuring: Ursula Eagly, Tess Dworman, Nikima Jagudajev, Laura Bartczak, Aya Sato, Laurel Atwell